Blackmagic Design HyperDeck Extreme 8K HDR Blackmagic Design

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High-end 8K broadcast recorder and player with Quad Link 12G-SDI, recording up to 4320p60, a 7″ HDR touchscreen, built-in scopes and support for both H.265 and ProRes. It records to two CFast 2.0 cards, external USB-C disks or network storage and can capture its four SDI inputs simultaneously as separate Ultra HD files.

Native 8K recording via Quad Link 12G-SDI

HyperDeck Extreme 8K HDR has all the features of the 4K model and adds 8K recording and playback up to 4320p60. It can also record its four 12G-SDI inputs as four separate Ultra HD channels.

Quad 12G-SDI4320p607″ HDR LCD2× CFast 2.010G EthernetH.265 · ProRes · DNx

Mastering, clip playback and archive

HyperDeck Extreme records broadcast masters, plays clips into live production, records ISO cameras and uses its analog inputs to transfer old tapes to files for editing and streaming services.

Cache against dropped frames

An optional M.2 NVMe card takes over recording when the media fills up or is too slow – with no dropped frames.

Scopes and 3D LUTs

Waveform, RGB parade, vectorscope and histogram in 10-bit quality, with HDR graticules and 33 point 3D LUTs.

12G-SDI, HDMI and analog

Multi-rate SDI, HDMI 2.0, component and composite video, XLR and RCA audio and XLR timecode.

Network and RS-422 control

10G Ethernet with FTP and a text protocol plus classic RS-422 control, for example from HyperDeck Extreme Control.

Modern design with traditional controls

The touch interface has buttons for play, stop and record, a mini timeline for scrolling through recordings and image swipe to jog. The front panel also has direct buttons for transport control, enabling the 3D LUT and remote, plus a speaker and a headphone output. The recorder has both AC and DC power connections for studio or location use.

Big bright touchscreen

The 7″ 1920 × 1200 HDR LCD with 2000 nits shows timecode, video standard, media status and audio meters. From the screen you enable scopes, focus and exposure assist, load and save 3D LUTs and set up every function of the recorder.

Record and play back full resolution 8K

Quad Link 12G-SDI records and plays 8K at full resolution and is compatible with other 8K products, while the single link 12G-SDI connection handles SD, HD and Ultra HD. To record 8K to regular CFast cards, the recorder uses H.265 files. It is ideal for 8K televisions, projectors and ATEM switchers.

Four cameras in one unit

The 8K model can record four SDI inputs up to 2160p60 simultaneously as separate files – a single unit captures four cameras for ISO recording. SSDs connect via Blackmagic MultiDock 10G.

Dual CFast cards for non-stop recording

The recorder records to commonly available CFast 2.0 cards. Space-saving H.265 files allow long recordings on standard cards, and with two slots you can swap a full card during recording, so recording length is unlimited. Blackmagic MultiDock 10G adds SSD compatibility.

Optional media cache

An M.2 PCIe NVMe card (60, 80 or 110 mm, up to 16 Gb/s) can be installed in the recorder as a cache or for internal recording. When a card fills up or is too slow, the cache automatically takes over the recording, so there are no dropped frames. It even lets you record formats that are too fast for the card or the external disk.

Record direct to network storage

Build a rack of recorders for ISO recording that stores all cameras in a single folder on network storage; the 8K model can even record four channels to the network from one unit. Edit suites log in to the storage and DaVinci Resolve can edit the media while it is still being recorded.

Convert legacy programming for streaming

The analog inputs record from old video tapes, so archive programs can be used in editing or on streaming services. With HyperDeck Extreme Control the recorder connects to a legacy broadcast tape deck, you set the in and out points and transfer – Digital Betacam, 1″ C format and Betacam SP. Teranex Express converts tapes from SD to HD in one step.

Built-in scopes

The waveform shows the luminance levels of the input or playback, the vectorscope shows color intensity at 100% SDI reference levels, RGB and YUV parade help with color correction and checking for illegal levels, and the histogram shows the distribution from black to white including clipping. Scopes can be overlaid on live video or shown as a small picture in picture.

HDR and a wide gamut screen

The SDI and HDMI inputs detect HDR standards automatically, files are tagged with the correct HDR information and static metadata PQ and HLG are handled according to ST2084. The screen covers Rec. 2020 and Rec. 709 and 100% of DCI-P3, and the scopes change to HDR graticules when working in HDR.

Multi-channel SDI and analog audio

From SDI you record 2, 4, 8 or 16 channels of audio in real time. Four XLR analog inputs record all four channels from Betacam SP tape decks, and direct RCA HiFi inputs serve VHS, DVD and set top boxes. Levels are monitored on four audio meters with VU or PPM ballistics.

10G Ethernet for digital signage

Uploading files over the network is faster than transferring from CFast cards. The recorder is controlled with a simple text protocol – via Telnet you just type "play" or "record" – and files are uploaded via FTP. With large USB-C disk arrays it becomes a broadcast server for ingest, media management and playout.

Menus in 13 languages

The recorder is localized into English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese, Turkish, Polish and Ukrainian. The selected language applies to the menus, the on-screen overlays and the SDI monitor output.

Files for common software

Media are formatted as ExFAT or HFS+, so a computer reads them like regular disks. DaVinci Resolve combines editing, color correction, audio and visual effects and is free for Mac, Windows and Linux; files also open in Premiere Pro or Final Cut Pro.

Connections and controls

The front panel has control buttons, a headphone output, a speaker, the 7″ touchscreen and two CFast 2.0 card slots.

The rear panel has analog video and audio inputs, DC and AC power, USB-C, RS-422, 10G Ethernet, reference, timecode, HDMI 2.0, USB-C for external recording, a 3G-SDI monitor output, XLR analog audio and Quad 12G-SDI inputs and outputs.

Dimensions and weight

210 × 131 × 334 mm (W × H × D), weight 3.65 kg. 3 rack units high, half rack width.

More information

• HyperDeck Extreme 8K HDR
• Power cable
• Welcome wallet with QR code for software download

• Display: 7″ 1920 × 1200 HDR LCD, 2000 nits, 100% DCI-P3, capacitive touchscreen
• SDI: 4× input 12G-SDI (Quad Link); 4× output 12G-SDI (A–D); 1× monitor output 3G-SDI; rates 270 Mb/s, 1.5G, 3G, 6G, 12G
• HDMI: 1× input, 1× output HDMI 2.0
• Analog video: component YUV (3× BNC); composite NTSC/PAL (BNC)
• Analog audio: 4 channels of balanced XLR audio (inputs) and 2 channels of unbalanced RCA
• Speaker and headphones: built-in mono speaker, headphone output
• Timecode: 1× XLR in, 1× XLR out
• Reference: tri-sync or black burst input
• SDI / HDMI audio: SDI 64 channels embedded; HDMI 8 channels embedded
• Remote control: 1× RS-422 in, 1× RS-422 out; SDI start/stop, timecode run; Blackmagic HyperDeck Ethernet Protocol
• Ethernet: 10 Gb/s
• USB-C: 1× USB-C 3.1 Gen 2 (up to 10 Gb/s) for external recording; 1× USB-C for software updates
• Media: 2× CFast 2.0; external USB-C flash disks (SD, HD, Ultra HD, 8K); M.2 PCIe NVMe slot 60, 80 or 110 mm (up to 16 Gb/s) for cache or internal recording; ExFAT, HFS+
• Recording source: SDI, 4× SDI (four inputs simultaneously up to 2160p60 as separate files), HDMI, component, composite
• Video standards: SD (525i59.94 NTSC, 625i50 PAL), 720p50–60, 1080i50–60, 1080p23.98–60, 1080PsF23.98–30, 2K DCI 23.98–25p, 2160p23.98–60, 4K DCI 23.98–25p, 4320p23.98–60, 8K DCI 23.98–25p
• SMPTE compliance: SMPTE 259M, 292M, 296M, 372M, 424M, 425M (A, B), 2081-1, 2081-10, 2082-1, 2082-10, 2084
• SDI metadata: HD RP188, CEA-708 closed captioning, HDR metadata over SDI
• Sampling: video 4:2:2 YUV, 10-bit; audio 24-bit, 48 kHz
• Color space: Rec. 601, Rec. 709, Rec. 2020; 33 point 3D LUTs
• Video codecs: ProRes HQ, 422, LT, Proxy up to 4320p60; ProRes 4444 playback up to 2160p60 with fill and key routed to SDI A and B; DNxHD 220x, 145, 45 (MOV, MXF) for 720p and 1080p up to 60p; DNxHR HQX, SQ, LB (MOV, MXF) for 2K DCI and 2160p up to 60p; H.265 Medium, Low 4:2:0 10 bit for 2160p up to 60p; H.264 SDI 4:2:2 10 bit, High, Medium, Low 4:2:0 8 bit up to 1080p60
• Audio codecs: AAC 2 channels; PCM 2, 4, 8, 16, 32 or 64 channels
• Scopes: waveform, RGB parade, vectorscope, histogram (10-bit); picture in picture, overlay with opacity control, HDR graticules, vectorscope zoom
• Control panel: integrated capacitive touchscreen LCD with on-screen controls
• Software: Blackmagic OS, Blackmagic HyperDeck Setup; Mac 15.0 Sequoia, Mac 26.0 Tahoe or later, Windows 11
• Power: 1× internal 100–240 V AC; 1× 4 pin XLR 12 V DC for external power or battery
• Power usage: max. 190 W
• Installation: 3 rack units high, half rack width
• Dimensions (W × H × D): 210 × 131 × 334 mm
• Weight: 3.65 kg
• Operating temperature: 0 to 40 °C
• Storage temperature: −20 to 60 °C
• Relative humidity: 0 to 90% non-condensing
• Optional accessories: HyperDeck Extreme Control, HyperDeck Extreme Rack Kit
• Warranty: 1 year limited manufacturer warranty