Blackmagic Design URSA Cine 12K LF 100G Body Blackmagic Design

Kód: ACINEURSAAB12KLFABDY1X
€9 592,77 €7 799 bez DPH Jednotková cena:
Vypredané
Položka bola vypredaná…

Detailné informácie

Podrobný popis

The Blackmagic URSA Cine 12K LF 100G Body is a digital film camera with a large format RGBW 36 × 24 mm sensor, resolution up to 12,288 × 8040 and 16 stops of dynamic range. It records Blackmagic RAW to a Blackmagic Media Module CF with two CFexpress Type B slots and has built-in ND filters, two 5″ touchscreens, interchangeable PL, LPL, EF and B4 lens mounts and 100G Ethernet for live SMPTE-2110 video up to 240 fps. The body is designed for your own accessories.

URSA Cine 12K LF 100G body for your own accessories

One camera for film and live broadcast: when recording it captures Blackmagic RAW with the full dynamic range of the sensor, in SMPTE-2110 Live mode it sends video over 100G Ethernet straight to an IP production – at high frame rates for slow-motion sports replay.

RGBW 36 × 24 mm sensor16 stopsUp to 240 fpsMedia Module CF100G Ethernet2× 5″ HDR screen

Generation 6 Color Science

Image processing is built around DaVinci Wide Gamut, so it preserves everything the sensor captures. Blackmagic RAW stores camera and lens metadata, white balance and custom LUTs, keeping the image consistent from the shoot to post production in DaVinci Resolve Studio, which is included.

Two screens and an assist station

The fold-out 5″ HDR touchscreen has a color status LCD on its back, and the right side of the camera has a second 5″ assist screen with 1500 nits for the camera assistant.

Industry standard connections

The 7-pin LEMO and 3-pin Fischer trigger recording and supply 24 V to accessories, the camera is powered via an 8-pin LEMO +12 to 34 V DC input and has two 12G-SDI outputs.

Large format RGBW sensor

The 35.64 × 23.32 mm sensor with a 2.9 micron pixel pitch has larger photo-sites and 16 stops of dynamic range. The RGBW architecture has equal amounts of red, green and blue pixels, so color is rich at every resolution from 4K to 12K.

Blackmagic URSA Cine 12K LF 100G Body – Large format RGBW sensor

A body for demanding productions

A magnesium alloy chassis with a lightweight carbon fiber polycarbonate composite skin makes it easy to move on set. Backlit buttons are easy to see in any light, 6 buttons can be assigned to your own functions, and the fold-out screen can be rotated and folded back into the body.

Blackmagic URSA Cine 12K LF 100G Body – A body for demanding productions

Interchangeable lens mounts

The body comes with a lockable EF lens mount; a PL, LPL or B4 mount for broadcast lenses is optional. Compatible lenses pass data to the camera, which is saved in the clip metadata.

Blackmagic URSA Cine 12K LF 100G Body – Interchangeable lens mounts

Built-in ND filters

Button activated 2, 4 and 6 stop ND filters with IR filtering are matched to the camera colorimetry, so color stays accurate even in harsh sunlight. Infrared is filtered evenly together with visible light.

Blackmagic URSA Cine 12K LF 100G Body – Built-in ND filters

Optical low pass filter

An OLPF precisely matched to the sensor reduces moiré and aliasing on fine fabric patterns or LED walls. Updated IR filtering improves far red response and, together with Blackmagic RAW, preserves color and detail.

Blackmagic URSA Cine 12K LF 100G Body – Optical low pass filter

High frame rates

12K 3:2 open gate up to 80 fps, 12K 17:9 up to 100 fps, 12K 2.4:1 up to 120 fps, 8K and 4K open gate up to 144 fps and 8K 2.4:1 up to 224 fps; with the B4 mount, 4.6K 16:9 crop up to 240 fps. A 9K Super 35 window is also available for classic cinema lenses.

Blackmagic URSA Cine 12K LF 100G Body – High frame rates

Blackmagic Media Module

The body comes with a Blackmagic Media Module CF with two CFexpress Type B slots, so you can use media you already own. The camera is also compatible with the Blackmagic Media Module 8TB and 16TB, which fit the Blackmagic Media Dock.

Blackmagic URSA Cine 12K LF 100G Body – Blackmagic Media Module

Blackmagic RAW

Blackmagic RAW recording with constant bitrate (3:1 to 18:1) or constant quality (Q0 to Q5) and simultaneous H.264 1920 × 1080 proxies. Proxies can be uploaded to Blackmagic Cloud during the shoot, so post production can work with them almost instantly.

Blackmagic URSA Cine 12K LF 100G Body – Blackmagic RAW

Live production with SMPTE-2110

In SMPTE-2110 Live mode the camera becomes a studio camera: the 100G QSFP28 connection sends and receives IP video up to 2160p60 (optionally with the Blackmagic IP10 codec), syncs via PTP and registers on the network via NMOS. The camera can be completed with the URSA Cine Studio Viewfinder.

Blackmagic URSA Cine 12K LF 100G Body – Live production with SMPTE-2110

URSA Cine EVF viewfinder

The camera can be completed with the URSA Cine EVF electronic viewfinder with a 1920 × 1080 OLED display and −5 to +5 diopter adjustment, or with the PYXIS Monitor. The viewfinder connects with a single locking USB-C cable.

Blackmagic URSA Cine 12K LF 100G Body – URSA Cine EVF viewfinder

Network, Blackmagic Cloud and streaming

100G Ethernet (QSFP28) is used for SMB file sharing, web media management, Blackmagic Cloud uploads and camera control. The camera streams via SRT and RTMP over Ethernet, Wi-Fi or the mobile data of a connected phone.

Blackmagic URSA Cine 12K LF 100G Body – Network, Blackmagic Cloud and streaming

Connections

XLR audio inputs, USB-C expansion port, two 12G-SDI outputs, USB-C for the viewfinder, reference and timecode input, 7-pin LEMO EXT, 100G Ethernet, +12/+24 V DC power input, 3.5 mm headphone jack and 3-pin Fischer RS.

Blackmagic URSA Cine 12K LF 100G Body – Connections

More information

Cinematic image in an IP production chain

URSA Cine 12K LF 100G uses a 36 × 24 mm large-format RGBW sensor with 16 stops of dynamic range. In SMPTE‑2110 Live mode it provides real-time IP video via 100G Ethernet, combining live production with the image character of a digital film camera.

Generation 6 Color Science delivers accurate colour and skin tones. Processing supports film, Extended Video and Video gamut modes, custom 3D LUTs and work over the full film gamut, with Rec. 709, Rec. 2020 and PQ also available.

For live image processing, the camera includes a colour corrector based on DaVinci Resolve’s primary corrector. Iris, black level and RGB offset can be controlled via ATEM Camera Control Panel, while more advanced corrections can be driven from DaVinci Resolve panels.

URSA Cine works with Blackmagic RAW for 12K post production, built-in ND filters and high-speed recording. Its workflow also includes 100G Ethernet, Wi-Fi, RTMP/SRT streaming and compatibility with the Blackmagic Media Dock ecosystem.

Optional accessories adapt the camera to cinema or studio work: PL, LPL and B4 mounts, Studio Viewfinder, battery plates, baseplates and higher-capacity Media Modules are all selected separately.


  • Blackmagic URSA Cine 12K LF 100G camera with EF lens mount
  • Blackmagic Media Module CF
  • Blackmagic URSA Cine rubber caps for connectors
  • Blackmagic URSA Cine WiFi antennas
  • EF body cap
  • DaVinci Resolve Studio with activation key
  • Welcome wallet with QR code for software download

  • Sensor: RGBW, large format, effective size 35.64 × 23.32 mm, 2.9 micron pixel pitch
  • Dynamic range: 16 stops
  • Lens mount: lockable EF, optional PL, LPL, B4
  • Resolution: 12,288 × 8040 (12K 3:2 open gate), 12K 16:9, 17:9, 2.4:1 and 6:5, 9K Super 35, 8K, 4K, 4608 × 2592 (4.6K 16:9 B4 crop)
  • Frame rates: project 23.98–60 fps; 12K open gate up to 80 fps, 12K 17:9 up to 100 fps, 12K 2.4:1 up to 120 fps, 8K/4K open gate up to 144 fps, 8K/4K 2.4:1 up to 224 fps, 4.6K B4 up to 240 fps
  • ND filters: clear, 2, 4 and 6 stop with IR filtering
  • Screens: 2× 5″ touchscreen LCD 1920 × 1080, 1500 nits; status LCD
  • SDI outputs: 2× 12G-SDI (1.5G, 3G, 6G, 12G)
  • IP video: 1× 100G QSFP28, SMPTE 2110-20/-21/-30/-40, PTP (IEEE 1588-2008, ST 2059), NMOS IS-04/IS-05, Blackmagic IP10 codec
  • Ethernet: 1× 100 Gb/s QSFP28
  • Audio: 2× XLR (mic, line, AES, phantom power), 3.5 mm headset jack, built-in stereo microphone, mono speaker
  • Reference: Tri-Sync/Black Burst and timecode; PTP and timecode over 2110 network
  • USB-C: viewfinder (video, power, control, locking), 2× side monitor ports (URSA Cine EVF, PYXIS Monitor, DisplayPort), 2× for accessories
  • Accessories: 7-pin LEMO EXT (power, serial communication, run/stop), 3-pin Fischer RS (power, run/stop)
  • Media: Blackmagic Media Module CF (2× CFexpress Type B), optional Media Module 8TB or 16TB
  • Codecs: Blackmagic RAW 3:1, 5:1, 8:1, 12:1, 18:1, Q0, Q1, Q3, Q5; H.264 1920 × 1080 proxy; Blackmagic IP10
  • Streaming: SRT and RTMP over Ethernet, Wi-Fi or mobile data
  • Power: 8-pin LEMO +12 to 34 V DC, Molex for the rear battery plate; 24 V outputs on LEMO and Fischer
  • Software: DaVinci Resolve Studio with activation key, Blackmagic Camera Setup, Blackmagic RAW Player, SDK
  • Operating temperature: 0 to 40 °C
  • Storage temperature: −20 to 45 °C
  • Relative humidity: 0 to 90 %, non-condensing
  • Warranty: 1 year limited manufacturer warranty

Dodatočné parametre

Kategória: Videokamery Blackmagic Design
Záruka: 2 roky
EAN: 9338716010619
Položka bola vypredaná…

Diskusia

Buďte prvý, kto napíše príspevok k tejto položke.

Len registrovaní používatelia môžu pridávať príspevky. Prosím prihláste sa alebo sa zaregistrujte.

Nevypĺňajte toto pole

Bezpečnostná kontrola