DZOFILM Arles Zoom Set 25-75mm + 65-180mm T2.6 PL mount Metric Black DZO Optics

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The DZOFILM Arles Zoom set pairs two full-frame cine zooms, 25–75mm and 65–180mm, covering 25–180mm at a constant T2.6. Both are parfocal, have a 43.5mm image circle, a PL mount and metric scales, and match the colour of the Arles primes. They come in a hard carrying case with cut-outs for both lenses.

Two zooms, 25–180mm, constant T2.6

The wider 25–75mm (3×) and the telephoto 65–180mm (2.8×) cover a range that would otherwise take around eight primes. T2.6 stays constant across both lenses, so exposure holds through a zoom move and when you swap lenses. Both cover full frame with a 43.5mm image circle.

Optics with ED and HRI elements

The 25–75mm uses 22 elements in 8 groups (7 ED, 5 HRI), the 65–180mm 20 elements in 8 groups (7 ED, 2 HRI). Low-dispersion and high-refractive-index glass suppresses chromatic aberration, spherical aberration and coma, and distortion stays low throughout the range. The design is tuned for 8K resolution.

Smooth fall-off into defocus

The 16-blade iris renders round highlights and a smooth transition between in-focus and out-of-focus areas. The focus ring has a 270° throw for fine pulls, and zoom is driven by a 100° ring with a cam mechanism. The lens is parfocal – focus holds when you change focal length.

The Arles look, now in a zoom

A low-saturation blue coating suppresses flare and ghosting and delivers warm, natural tones with faithful skin. The colour matches the eleven Arles primes and DZOFILM’s other new-generation lenses, so they can be mixed on one project. The look holds at high frame rates too.

Matching controls, no re-rigging

The ranges overlap between 65 and 75mm, so you can move from one lens to the other without a gap in focal lengths. Both zooms share a 95mm front diameter, an 86mm filter thread and M0.8 gears in the same position as the Arles primes – follow focus and matte box stay put when you swap.

PL, EF and mirrorless

The lenses ship with a PL mount and can be converted to EF with a tool kit sold separately. With DZOFILM Octopus adapters they fit Sony E, Canon RF, L, Nikon Z, FUJIFILM X and DJI DX. The Marlin 1.4× expander turns them into 35–105mm and 91–252mm and covers selected medium-format sensors.

A case for both lenses

The set comes in a hard DZOFILM carrying case with foam cut-outs for both zooms. The aluminium-alloy bodies weigh about 1,767g (25–75mm) and 1,782g (65–180mm), are dust- and splash-resistant, and the front elements have a dirt-repellent coating – ready for location work.

Key features

The DZOFILM Arles Zoom 25-75mm + 65-180mm T2.6 2-Lens Cine Zoom Set provides filmmakers with a broad and practical focal-length range from 25mm wide angle through 180mm telephoto, while maintaining a consistent T2.6 maximum aperture across both lenses. This makes the set particularly useful for narrative filmmaking, commercial production, documentary work, interviews, music videos, and other professional cinema applications where consistent rendering and efficient lens changes are important.

• Complete 25–180mm Coverage – Two zoom lenses cover wide-angle through telephoto perspectives.
• Constant T2.6 Aperture – Consistent maximum aperture across both lenses.
• 2-Lens Professional Cine Set – Includes 25-75mm and 65-180mm Arles Zoom lenses.
• PL Mount Configuration – Supplied configuration specified as PL.
• Advanced Optical Designs – 22 elements/8 groups in the 25-75mm and 20 elements/8 groups in the 65-180mm.
• Consistent Edge Sharpness – Designed for even performance throughout the zoom ranges.
• Controlled Distortion – Predictable geometry helps with shot planning and post-production.
• Strong Contrast Retention – Maintains contrast and point-light definition in direct and backlit conditions.
• Natural Cinematic Bokeh – Near-circular highlights with no visible onion-ring texture.
• 16-Blade Aperture – Produces smooth, natural out-of-focus rendering.
• 270° Focus Rotation – Precise manual focus control.
• 100° Zoom Rotation – Controlled manual zoom operation.
• Manual Aperture Control – 79° on the 25-75mm and 82° on the 65-180mm.
• 95mm Front Diameter – Consistent front diameter across both lenses.
• M86 Filter Size – Supports compatible 86mm threaded accessories.
• Professional Transport Case – 2-piece black case configuration for the lens set.

• DZOFILM Arles Zoom 25–75mm T2.6 lens, PL mount, metric scales
• DZOFILM Arles Zoom 65–180mm T2.6 lens, PL mount, metric scales
• hard DZOFILM carrying case with cut-outs for both lenses
• the EF mount conversion tool kit is not included

• Focal length: 25–75mm + 65–180mm
• Zoom ratio: 25–75mm: 3× · 65–180mm: 2.8×
• Aperture: T2.6–T22, constant T2.6
• Format: full frame, image circle Ø 43.5mm
• Mount: PL (EF with a tool kit sold separately)
• Scales: metric
• Optical design: 25–75mm: 22 elements in 8 groups (7 ED, 5 HRI) · 65–180mm: 20 elements in 8 groups (7 ED, 2 HRI)
• Close focus: 25–75mm: 0.51m from the sensor plane · 65–180mm: 0.89m from the sensor plane
• Iris: 25–75mm: manual, 79.55° rotation, 16 blades · 65–180mm: manual, 82.4° rotation, 16 blades
• Focus: manual, 270° rotation
• Zoom: manual, 100° rotation
• Gears: M0.8
• Front diameter: Ø 95mm
• Filter thread: M86
• Length (front to flange): 25–75mm: 178mm (PL) / 185.4mm (EF) · 65–180mm: 190.8mm (PL) / 198.1mm (EF)
• Weight: 25–75mm: approx. 1,767g · 65–180mm: approx. 1,782g
• Material: aluminium alloy
• Colour: black