Feelworld LUT11S Feelworld

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FEELWORLD LUT11S is a 10.1-inch with full touch screen, ultra brightness 2000nit professional camera monitor. Supports 3G-SDI and up to 4K@60Hz HDMI signal input and output. Provides a series monitoring and framing tools with new menu layout, various numerical parameters are clear at a glance, making the operation easier. There is a F970 external install and power kit on the rear of LUT11S, which can install such as wireless transmission, LED light, etc. It combines the monitor with wireless transmission to get rid of unnecessary cables, , which is perfect for director monitoring, 1st AC to focus pulling in the film crew. The dual battery plates design can install two F970 batteries at the same time for long-time power supply even outdoors. Ideal for crew field shooting, monitoring and post-production.

10.1" Professional SDI/HDMI Camera Monitor

FEELWORLD LUT11S is a 10.1-inch professional camera monitor with a full touch screen and 2000nit brightness. It supports 3G-SDI and HDMI signal input and output up to 4K@60Hz. It provides a series of monitoring and framing tools in a new menu layout, where the numerical parameters are clear at a glance. On the rear there is a Sony F970 external install and power kit, which can hold and power a wireless transmitter, an LED light and similar devices, so there are fewer cables. The dual battery plates take two F970 batteries at once, which lasts a full day of field shooting.

10.1" Full HD LCD panel

View clearly and capture every detail with confidence

The LUT11S comes with a 10.1-inch 1920x1200 full HD panel. It covers wide colour gamuts such as DCI-P3, so colours hold up and there is room left for post colour correction. The wide 170° viewing angle makes it easy for several crew members to watch it at the same time, not just the person standing right in front of it.

Multiple colour gamuts

The monitor supports REC.709, DCI-P3 and BT.2020. You pick the one you work in, so you do not have to mentally compensate for how the image will look after grading.

2000nit, daylight viewable

For outdoor shooting

With 2000 nits of brightness the LUT11S is not afraid of strong light. The picture stays readable outdoors, so you can shoot without a sunshade.

Light sensor for auto dimming

The monitor has an ambient light sensor. From a dim studio to a sunny location, from midnight moonlight to noon sunshine, it adjusts its brightness to the environment you are filming in.

New UI menu

More intuitive and quicker

The LUT11S has a new menu layout in which the software functions are iconized. You get to the function you need faster than by walking through lists.

Custom shortcut keys

On the top there are three buttons to which you assign functions in advance, according to what you will need on set. During the shoot you call them up with a single press instead of digging through the menu.

Full touch screen

Fast and responsive

The touch interface handles the important functions with a tap and a swipe, without buttons. You can also operate it with the scroll wheel.

Double-tap the screen to enter the main menu. Swipe up from the bottom to open the shortcut menu and tap to turn on or set the corresponding function; double-tap a shortcut item to set it with the "<" and ">" keys. On the left half of the screen you adjust the backlight brightness, on the right half the volume. Tap beside the menu to exit.

F970 external install and power kit

Less clutter on the camera

On the back there is a Sony F970 kit on which you mount and from which you power external devices — a wireless transmitter, an LED light, a converter. It saves space and weight, because the device needs neither its own battery nor its own bracket.

The kit has two cross slots, so you adjust the position of the device by loosening the screws. When you do not need it, the same screws take the whole kit off.

SDI and dual HDMI input

For cine cameras and DSLRs alike

SDI suits movie cameras, the two HDMI inputs suit DSLR and mirrorless bodies; there is one output as well, all up to 4K@60Hz. A 3.5mm headphone jack is provided for audio.

Note: the HDMI1 input loops out to the HDMI1 output by default; the HDMI2 input cannot loop out.

DC power supply

Powers your camera too

The LUT11S has a DC IN 12V input (a 12V/3A adapter suits it) plus an auxiliary DC OUT 8V output from which you power your camera. With a battery adapter cable (optional) this extends the camera run-time while giving you a more usable display.

The output is a barrel connector; the camera connects to it through a DC coupler for the specific model (NP-FW50 Sony, LP-E6 Canon, DMW-BLF19 Panasonic).

Note: different brands and models need different power, so the camera may not shoot stills or video normally. When powering the monitor from a battery, use a fully charged, higher-capacity battery.

Dual battery plates

Lasts a full day outdoors

On the rear there are two plates for standard NP-F batteries. Batteries can be swapped while running: double-tap and hold the battery icon in the top right corner for about three seconds and monitoring is not interrupted. One F970 battery (6600 mAh) lasts about 2 hours, two last 3.5 to 4 hours. You can fit one or both as you need.

Compatible Sony NP-F batteries: F970, F960, F950, F930, F770, F750, F730, F570, F550 and F530 series. Batteries are not included and are bought separately; the higher the capacity, the longer the run-time.

Smarter tools for absolute precision

The monitor OS offers a suite of scopes, each one tap away: waveform, RGB parade, vectorscope, brightness and RGB histogram, embedded audio meters, focus peaking, zoom, zebra, false colour and safe frames. Plus a flexible 3D LUT implementation (built-in LOG to Rec.709 or your own .cube files) and anamorphic de-squeeze monitoring.

Custom 3D LUTs

Up to 50 custom LUTs

Loading LUTs makes colour calibration more intuitive and saves time early in the workflow. Use the built-in LOG conversions or upload your own .cube files — up to 50 of them via the SD card slot — and switch between them at any point during the shoot.

3G-SDI supports 3D LUT loop-out

The LUT11S can send the image with the loaded LUT on to the 3G-SDI output, so the director and the camera operator see the same picture. With an SDI signal, just switch on "LUT Switch" and "SDI Out (LUT)" in the menu.

HDR monitoring

What you see is what you get

The LUT11S supports HDR monitoring, so when shooting Log you see detail and contrast closer to how the image will look after post. With HDR on, you pick the gamma and gamut matching your camera — Sony, Canon, Panasonic, Fujifilm, Bolex, RED or ARRI.

Accurate waveform monitoring

Saves you a separate scope

When you need to judge the image more precisely than by eye, the LUT11S has built-in measurement: waveform (RGB parade, YUV parade, Y parade), vectorscope, histogram and audio phase and level displays. The functions can be opened separately, or all at once with a single command.

Three-colour tally indicator

On the rear there is a tally light with three colours — green, red and yellow — controlled via the DB-9 port on the bottom. The operator knows when they are live without having to ask.

Multiple mounting options

The monitor has three 1/4"-20 threads — on the bottom and on both sides. You can mount it on a camera, a magic arm or a cage, in landscape or in portrait.

Specifications

• Screen size: 10,1" IPS
• Resolution: 1920 × 1200
• Pixel pitch: 0,113 × 0,113 mm
• Aspect ratio: 16:10
• Brightness: 2000 cd/m²
• Contrast ratio: 800:1
• Backlight: LED
• Viewing angle: 85°/85° horizontal, 85°/85° vertical
• Inputs: 2× HDMI, 1× 3G-SDI, 1× DC, 1× Tally (DB-9)
• Outputs: 1× HDMI, 1× 3G-SDI, 1× DC 8V, 1× 3.5mm headphone
• Input voltage: DC 7–24 V
• Power consumption: ≤ 28 W
• Working temperature: −10 °C to 50 °C
• Storage temperature: −20 °C to 60 °C
• Mounting: 3× 1/4"-20 thread (bottom, left and right side)
• Dimensions: 242 × 156 × 23 mm
• Weight: 810 g